Photo via APT Entertainment Inc. (@aptentertainment.ph) / Instagram
Vic Sotto steps out of his comfort zone in The Kingdom, a high-concept Metro Manila Film Festival entry that reshapes Philippine history into an alternate reality. Directed and co-written by Michael Tuviera, with Michelle Ngu-Nario as a collaborator, the film imagines a nation uncolonized by foreign powers. This version of the Philippines, called Kalayaan, weaves a monarchy into the political and cultural fabric, blending tradition with a modern twist.
The story revolves around Lakan Makisig (Vic Sotto), a ruler who must decide which of his children will inherit the throne. His choices include the principled Magat Bagwis (Sid Lucero), the ambitious Dayana Matimyas (Cristine Reyes), and the reserved Dayang Lualhati (Sue Ramirez). Beneath the grandeur of royal courts lies a fractured society, with the Tinatwa (the Banished) representing the outcasts. Sulo, played by Piolo Pascual, emerges from their ranks, embodying resilience and quiet strength.
While The Kingdom excels in world-building, credit must also go to its exploration of complex themes family, loyalty, and justice. The film delves into the weight of old laws, such as the Tugmaan, or the Law of Retribution, showing how ancient traditions still hold sway over modern governance. The characters’ arcs, particularly Matimyas’ transformation, are vividly portrayed, giving the audience emotional stakes.
Sotto’s performance, however, leans heavily on stoicism, a departure from his usual comedic roles. While effective, his restrained portrayal might leave fans yearning for glimpses of humor. Pascual, on the other hand, brings depth to Sulo, grounding the narrative with sincerity. Ruby Ruiz, as Punong Babaylan, adds mysticism akin to a sage-like guide.
Despite its merits, the film stumbles on believability in a few key scenes. Moments like an implausible news interview with the ruler and the lax security around a kidnapping stretch credibility. These instances jar the otherwise immersive narrative.
Overall, The Kingdom earns its place as a bold attempt to reimagine history while entertaining audiences. It reminds viewers of the power of storytelling in shaping perspectives, even in a world that never was.
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